In the background of this image is a lush, poisonous-looking garden of deep green leaves and red and black berries. Near the top of the image is this text: Really, if she’d known how much protocol was involved in being a famously wicked queen, she might never have overthrown her uncle in the first place.
Beneath that text is the beautiful blue British cover of Wooing the Witch Queen, by Stephanie Burgis. The illustration shows a man in a cloak riding headlong through the night towards an ominous castle with an illuminated, crowned female figure in its doorway and bats flying overhead in the moonlight. A potion vial surrounds that central image and is further framed by leaves and branches. Crows sit on the branches, and a tagline reads: Love can be a witch. A blurb from Sangu Mandanna reads: ‘Warm and lovely’.
In the background of this image is a lush, poisonous-looking garden of deep green leaves and red and black berries. Near the top of the image is this text: Really, if she’d known how much protocol was involved in being a famously wicked queen, she might never have overthrown her uncle in the first place. Beneath that text is the beautiful blue British cover of Wooing the Witch Queen, by Stephanie Burgis. The illustration shows a man in a cloak riding headlong through the night towards an ominous castle with an illuminated, crowned female figure in its doorway and bats flying overhead in the moonlight. A potion vial surrounds that central image and is further framed by leaves and branches. Crows sit on the branches, and a tagline reads: Love can be a witch. A blurb from Sangu Mandanna reads: ‘Warm and lovely’.